Showing posts with label Rialto Bridge. Show all posts
Showing posts with label Rialto Bridge. Show all posts

Wednesday, October 16, 2013

The Cannaregio District of Venice, Italy

Dear readers, we have been touring Venice for the last few blog entries. Before we leave this amazing place, let's take one more walking tour, this time through the Cannaregio District, which stretches across the northern portion of the city.
Map drawn with ESRI® ArcMap™ 10.0 software with ESRI topographic basemap layer.
Cannaregio is north of the tourist-jammed San Marco area and easy to reach if you want fewer crowds and a flavor or how local residents live. According to Veniceclick.net,
"Cannaregio was settled well before AD 1000, when the first dwellings were built on the islands of San Giovanni Crisostomo and Santi Apostoli, close to the Rialto. The areas adjacent to the Grand Canal were built up next. The urban sprawl proceeded northwards, engulfing the convents and monasteries (the Misericordia, the Madonna dell'Orto, the Servi, San'Alvise) on what were, until then, remote islands."
Depending on where you are staying, take the Vaporetto, or water bus to the Rialto or the Ca' D'oro stops. The vaporetto is a great ride because as you cruise along the Grand Canal, you pass palaces, hotels, old mansions, and side canals.
Close to the Grand Canal is still pretty touristy, especially along the Strada Nova.  You see a lot of oddball kitsch for sale, as at this kiosk in the Campo S.S Apostoli.  Tourists really buy this junk?
Head north on some of the smaller lanes, like the Calle de la Raccheta, and the crowds thin out and the photographic opportunities improve.
You will cross over some of the small interior canals, or wander down a quiet Calle and discover that it stops at the water.  It is fun.
This is about the only graffiti I saw. It is a contrast to Athens, which has been spray-painted with nasty mess since the economic crisis erupted in 2008.
A few palaces or convents (?) have gardens.  Remember, land is precious on an island.
And there are occasional medieval-looking tunnels or passages under buildings.
This was the only modern apartment block I saw, but there must be more for local residents. Not everyone can afford to restore a 1500s palazzo.
Finally, here are some architectural details.  The barrier at the bottom of the door is designed to keep out high tide waters or storm surges.  It is the same concept as the stop logs used in flood gates on the Mississippi River. Oddly, only some doors had these barriers. Do residents in adjoining apartments simply accept the occasional wet floor?  Maybe they place sand bags and plastic sheeting when needed.

Photographs taken with a Nexus 4 telephone.  I processed the files with DXO Filmpack 3 to simulate Kodak Tri-X black and white film. I am not sure if the experiment was successful, and all comments are welcome.

Sunday, October 6, 2013

The Rialto Market, Venice, Italy

Long-term readers know I like public markets, and the Rialto Market in Venice, Italy, is a a good one. The market has been here for hundreds of years and is still active, but has lost most of the Medieval earthy character that must have assailed a visitor's nose during its pre-20th century history.
Map drawn with ESRI® ArcMap™ 10.0 software using the ESRI topographic basemap layer
The Rialto Market is easy to reach.  If you are staying in a hotel in the San Marco district, walk across the Rialto Bridge (Italian: Ponte di Rialto), which spans the Grand Canal.
The Rialto Bridge is a popular tourist site with a fantastic view of the activity below.  The present bridge, replacing an older wood span, is a single span built of stone.  It was designed by Antonio da Ponte and completed in 1591.  It is an unusual design with rows of shops under the portico.  The shops sell expensive tourist souvenirs.
You can also take a water taxi, depending on where your are staying, but most people walk. Even Ernest Hemingway described this walk in his 1950 novel, Across the River and into the Trees,
"Then you could climb the bridge and cross it and go down into the market. He liked the market best. It was the part of any town he always went to first." 
Excellent advice for the modern tourist.  A market tells you a lot about the people of a town and their habits.
Proceed a few blocks northwest and you reach Campo de la Pescaria, the market district.  On my recent trip, some drizzle was falling and the market was a bit subdued.  You can follow the National Geographic walking tour if you want a route map.
But the awnings were down and the merchants were selling vegetables and all forms of seafood.  I did not see the snail lady.  Time to scan some old negatives from previous visits. As Hemingway wrote,
"He loved the market. A great part of it was close-packed and crowded into several side streets, and it was so concentrated that it was difficult not to jostle people, unintentionally, and each time you stopped to look, to buy, or to admire, you formed an îlot de resistance against the flow of the morning attack of the purchasers."
There were plenty of marine organic materials whose origins I could not guess, but have no doubt that Venetian chefs can make them utterly delicious.  The swordfish steak would be fine, too. Back to Hemingway:
     "He took a short cut, and was at the fish-market.
     In the market, spread on the slippery stone floor, or in their baskets, or their rope-handled boxes, were the heavy, gray-green lobsters with their magenta overtones that presaged their death in boiling water. They have all been captured by treachery, the Colonel thought, and their claws are pegged.
     There were the small soles, and there were a few alba-core and bonito. These last, the Colonel thought, looked like boat-tailed bullets, dignified in death, and with the huge eye of the pelagic fish. 
     They were not made to be caught except for their voraciousness. The poor sole exists, in shallow water, to feed man. But these other roving bullets, in their great bands, live in blue water and travel through all oceans and all seas.
     A nickel for your thoughts now, he thought. Let’s see what else they have.
     There were many eels, alive and no longer confident in their eeldom. There were fine prawns that could make a scampi brochetto spitted and broiled on a rapier-like instrument that could be used as a Brooklyn icepick. There were medium sized shrimp, gray and opalescent, awaiting their turn, too, for the boiling water and their immortality, to have their shucked carcasses float out easily on an ebb tide on the Grand Canal.
     The speedy shrimp, the Colonel thought, with tentacles longer than the mustaches of that old Japanese admiral, comes here now to die for our benefit. Oh Christian shrimp, he thought, master of retreat, and with your wonderful intelligence service in those two light whips, why did they not teach you about nets and that lights are dangerous?"
The ancient streets and alleys in the Rialto District are interesting architecturally.  There are plenty of arches, tunnels, and narrow lanes.  It is less crowded than the more popular San Marco district.
Finally, here is the result of all this fantastic produce and meat.  Venice's restaurants are a bit expensive, but no more so than ones in Manhattan or Los Angeles, and a glass of house wine is only a Euro or two. I could live in Italy.....

For readers interested in other markets, please see the posts on:
1.  Egyptian Market, Istanbul
2.  Reading Terminal, Philadelphia
3.  Central Market, Athens
4.  Farmers' Market in rural Greece
5.  Asan Chowk market, Kathmandu

Across the River and into the Trees is an odd novel.  It is about a crusty old U.S. Army officer in love with a young Venetian Contessa.  As summarized in Wikipedia, "Tennessee Williams, in The New York Times, wrote: "I could not go to Venice, now, without hearing the haunted cadences of Hemingway's new novel. It is the saddest novel in the world about the saddest city, and when I say I think it is the best and most honest work that Hemingway has done, you may think me crazy. It will probably be a popular book. The critics may treat it pretty roughly. But its hauntingly tired cadences are the direct speech of a man's heart who is speaking that directly for the first time, and that makes it, for me, the finest thing Hemingway has done.""  I do not agree - it is somewhat slow going, but do read it before your next trip for the flavor of post-war Venice.

Photographs taken with a Nexus 4 phone (sorry, no real camera this trip), with adjustments in ACDSee Pro software.